Jonathan D. Price
The Clarion's œnologist – nay, œnologian-in-residence returns to the southwest of l'héxagone for this latest edition of Clarion Vines.
Jonathan D. Price
The first wine to be subjected to the exacting palate of Executive Editor J.D. Price is a 2010 Château Talbot. Here you'll find insights (and in-scents) into the character of this admirable Bordeaux, which emerged for a 35-hour tryst in a chilly autumn in Warsaw after four years of patient anticipation, as well as tips on when best to enjoy.
Dante's imagery in the Inferno is haunting. But, for all the care he took in crafting his canti, recent scholarship has revealed errors of scale and proportion in his descriptions of the infernal environs. Was he just a lousy arithmetician? Was he deliberately undermining his narrative with a bit of ironic miscalculation? Or are Dante's apparent mistakes in fact occasions for him to explore a fundamental question about man's redemption?
Rev. John J. Bombaro
In the first two installments of this series, Rev. Bombaro discussed the theocentric metaphysics and aesthetics of Jonathan Edwards, one of colonial America's greatest preachers and scholars. Here, Bombaro juxtaposes the language of dispositions that Edwards uses to describe God with its Scholastic philosophical heritage, reminding us of Edwards's peculiar vantage point at the cusp of modernity.
As a young man Russell Kirk traipsed over the braes of East Ayrshire, Scotland, to a tiny village with a rich history. Known to Dr. Johnson as the residence of his friend Boswell's family, the place had, by Kirk's time, little left of its former vitality. Worse, few seemed to care: there was a new cinema a few towns over, and that was, well, new, if nothing else. In this essay from 1969, Kirk argues that community decline cannot be understood - let alone reversed - without participation in the ever-threatened tradition of literary continuity.
During a dinner conversation with Russell and Annette Kirk in Washington, D.C., just five months before Dr. Kirk’s death, Russell turned to me and quipped, with his familiar chuckle and impish smile, “Vigen, they are now calling me a theologian!” I did not ask him who was saying such a thing...
Politics & Poetics, a new peer-reviewed journal of the humanities with a focus on philosophy, invites high quality submissions on the topic of Tragic Poetry for its inaugural edition.
Many of us tend to look at prayer life as a mental thing: we praise, we thank, we confess to, and we confide in God – with words. And yet, while we think or pronounce our prayers, our bodies, too, are at work expressing and shaping our souls. In the Coptic tradition, liturgical postures and gestures involve the whole person, proclaiming and realizing the union of body and soul. It is in just this unity that God creates and saves the human person.
Our poems, songs, and tales give us a sense that there is continuity in history and that we fit into it. But what sort of continuity? And what, if anything, should we do about it? In The Brothers Karamazov, Dostoevsky grapples with some of the most compelling meta-narratives that have ever shaped our experience of life as temporal beings.
For decades now, mainstream educators have been encouraging their pupils to use their imaginations - even as the literary fare they've been offering has increasingly had the opposite effect. Russell Kirk brings his characteristic perspicacity to bear on the question of literature and the "moral imagination" in a classic essay that has only grown more relevant since it first appeared in 1981.
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